The overall quality of the season is not high enough, and you may not get satisfactory enjoyment from them. Cinema Sentries said "This is not something to pick up if you are a general TV fan, or a casual Simpsons fan. Aside from the so-so image, there's plenty here to keep the die-hard 'Simpsons' fan happy, so this one comes recommended for fans". Sixteen seasons in, it seems that the show is a mixture of been-there-done-that sentiment and perfunctory punch lines. High-Def Digest also gave a 4/5 star rating, saying "As mentioned in the review, there are plenty of laughs to be had in this season, but very few of them come from a place that feels truly genuine and sincere. The Simpsons: Season 16 is another cracking instalment of the hit show and we still, after all these years, just can't get enough. Sure it may have been eclipsed by the edgier Family Guy in more recent years but The Simpsons is, and always will be, one of the most original and talked-about shows. We don't agree with those people at all and think The Simpsons has been remarkably consistent in terms of its humour and stories. Entertainment Focus gave it 4 out of 5 stars, concluding "Some people have criticised The Simpsons claiming that the show is tired and has passed its prime. CraveOnline gave the season a rating of 8.0 out of 10, and spoke highly of its "little pieces of continuity", "sharp parody", and "non sequitur gags". The 16th season of The Simpsons has garnered generally positive reviews from critics, with many noting while the episodes are still good and funny they are of a lesser quality than those of the show's earlier seasons. As a result, it aired on in the United States, while " The Girl Who Slept Too Little", the episode intended for the finale of season 16, became a season 17 episode. Originally supposed to air April 10, the episode " The Father, the Son and the Holy Guest Star" was dropped from the week's schedule due to the death of Pope John Paul II, since this episode revolved around Catholicism. This season was the first in which Ian Maxtone-Graham and Matt Selman were credited as executive producers.
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